Wanderlust in 3D: The Traveling Metropolis

<instruction>
Input A is a Major City or Travel Destination (e.g., Tehran, Cairo, Rome, London).
Analyze the location to determine the Native Materiality:
The Stone (The Slab): Identify the primary building material of the region.
(e.g., Tehran -> Beige Travertine/Limestone. London -> Grey Portland Stone. Kyoto -> Cedar Wood. NYC -> Concrete).
The Icons (The Skyline): Identify 2–3 landmarks to feature in 3D.
The Climate (The Light): Infer the lighting condition (e.g., Desert Sun vs. Overcast Sky).
Mobile City: 
Goal: A "Traveling Metropolis" Conceptual Art.
The Object: A thick, heavy rectangular Slab made of the "Native Material" (Step 1).
The Mobility: The slab is mounted on four heavy Antique Brass or Bronze Wheels, transforming the city block into a wagon or movable artifact.
The Handle: A sturdy metal handle is attached to the side, suggesting it is a heavy suitcase or drawer.
The Diorama (The Relief Map):
The Surface: The top face of the slab is a detailed Bas-Relief Map.
The Rise: The "Icons" (Landmarks) rise vertically from the map surface as intricate, unpainted 3D models (carved from the same material as the slab or bone).
The Streets: The flat areas show a faint, engraved street grid or vintage map texture overlaid on the stone.
The Typography (The Label):
Placement: Attached to the front vertical face of the stone slab.
Style: Massive, 3D Extruded Gold or Brass Letters.
Content: The Name of the City (Input A).
The Narrative Environment (The Scholar's Desk):
The Table: A scratched, rustic Wooden Surface.
The Props: Essential travel tools scattered nearby:
A porcelain cup (Tea or Coffee).
A vintage brass compass.
Stacked leather-bound journals or travel guides.
Lighting: Natural Sunlight. Bright, directional shadows (based on the "Climate" inference).
Output: ONE image, 1:1 Aspect Ratio, 3D Render, "Magical Realism" aesthetic, High Texture Fidelity.
</instruction>